THE GOODS: House of Secrets

Saturday, November 15, 2014

COUNTDOWN TO HALLOWEEN (Day -15): Expired Candy Part 2

And lo there came the hoary hosts of horror comics continued...

"Mr. I.M. Dead" of Charlton's GHOSTLY TALES followed closely by...

"Mr. L. Dedd" of the same book (by the great Ditko)!

Next Charlton's HAUNTED was hosted by a ghostly white superhero figure called "Impy", but after this fella didn't work out...

"Baron Weirwulf" was brought in and the title of the book changed to BARON WEIRWULF'S HAUNTED LIBRARY.

Famous for Steve Ditko's involvement with the title, THE MANY GHOSTS OF DOCTOR GRAVES featured host "Dr. M.T. Graves" who bore a resemblance to Ditko's other creation for Marvel Comics Doctor Strange.

Meanwhile, over at DC Comics HOUSE OF MYSTERY was hosted by the darker half of the children of Adam and Eve... "Cain".

It's sibling title, HOUSE OF SECRETS, was hosted by "Abel", Cain's more nervous and humorous brother.

MIDNIGHT TALES was hosted by "Professor Coffin" AKA "The Midnight Philosopher" who seemed to have a dry sense of humor.

Cain, Abel and Eve hosted the funnies in PLOP! as portrayed here by Sergio Aragones!

The "Countess R.H. Von Bludd" hosted SCARY TALES for Charlton--putting a sexy vampiric spin on the proceedings.

And over in the UK, they had SCREAM!, a horror mag that sported the above trio of hosts: The Leper, Ghastly McNasty and The Night Comer.

SECRETS OF HAUNTED HOUSE got kind of crowded as not two, not three, but four hosts were in use! These were Cain, Abel, Eve and Destiny... a few too many cooks in the kitchen?

And, besides, "Eve" had her own mag to host... SECRETS OF SINISTER HOUSE, which was quite charming.

And speaking of charming, there is this rather kindly librarian named "Lucien" who hosted TALES OF GHOST CASTLE for a bit for DC.

And since it seems as if DC had a stranglehold on horror-hosted comics, the above was THE WITCHING HOUR as hosted by "The Three Witches". And those three ladies also sometimes hosted THE UNEXPECTED--as did the "Mad Mod Witch" (below) and "Abel" (pictured below the Mad Mod Witch with Goldie the Dragon).

WEIRD MYSTERY TALES had both Destiny and Eve as hosts and Jack Kirby contributed "Doctor E. Leopold Maas" (Below) as a third host.

Lastly, for DC comics was WEIRD WAR TALES and the scariest host of all... "Death" itself!

That, at least, concludes DC's extensive number of Horror Hosts!

In part three we will finish off this list with some interesting entries from DC's distinguished competition...

Wednesday, October 10, 2012

MONSTER-MONTH: COUNTDOWN TO HALLOWEEN (Day 10)

Bernie Wrightson's interpretation of Mary Shelley's Monster is the focus of tonight's chapter of Monster-Month. Anyone who has not seen his work on this book should be required to lay eyes on at least one of the intricately inked pieces because his work is so perfect.

(Click to Frankensize)

Imagine spending six or seven years on a single series of illustrations focusing only on one project--one set of pen-and-ink drawings. That’s just what Bernie Wrightson did when working on his 50 illustrations for an edition of Mary Shelley’s FRANKENSTEIN. Before this monsterous project, Bernie had built a powerful career as a comic book artist.

(Click to Frankensize)

Having started out as an illustrator for The Baltimore Sun in 1966, he was inspired to produce his own comic book stories after meeting master fantasy/comic book artist Frank Frazetta. By 1968, he had showed copies of his sequentials to DC Comics editor Dick Giordano, who soon gave him an assignment.

(Click to Frankensize

Wrightson’s first professional comic book story came out in 1968 and was entitled “The Man Who Murdered Himself”. It appeared in HOUSE OF MYSTERY #179. He continued working on short stories for anthology titles for DC and, later, Marvel.

(Not Bernie's swamp monster, but he did this rare one for Marvel.)

It was in 1971 that Bernie and Len Wein co-created the muck monster Swamp Thing for a standalone horror story in HOUSE OF SECRETS #92. By the next year, the Swamp Thing had his own series set in the regular DC Universe. Wrightson drew the first ten issues of the series.

In 1972, Wrightson also published BADTIME STORIES a horror/science fiction comics anthology featuring his own scripts and artwork. Each story being drawn in a different medium (Ink wash, tonal pencil drawings, duoshade paper, screen tones… along with pen-and-ink and brushwork).

In 1974, he went to work at Warren, a black-and-white horror comics magazine publisher for whom his style of work was perfectly suited. Here, Wrightson experimented with different media while working on tales like “The Black Cat” by Poe, Lovecraft’s “Cool Air”, Bruce Jones’ “Jenifer”, and other stories like “The Pepper Lake Monster”, “Nightfall” and...

“The Muck Monster”,

a precursor of his later work with Shelley's Monster.

(Click to Frankensize)

Wrightson joined with Jeff Jones, Michael Kaluta and Barry Windsor-Smith to form “The Studio” in 1974. It was a loft in Manhattan from which the group would create things outside the constraints of the commercial side of comics. Wrightson produced sequential art, posters, prints, calendars, coloring books and other products. He did a several comics stories for NATIONAL LAMPOON magazine for the next ten years.

This is the time in which Wrightson spent his six to seven years with the Frankenstein Monster.

(Click to Frankensize)

“Just like everyone else in the 20^th century, I was introduced to the monster through the movies. That led to me reading the book. It's a brilliant book but not at all easy to read. The language is very dense and very convoluted. If you fight your way through it's a very good book. It's full of very profound and thoughtful themes and ideas. It's not at all what you expect after watching the movies.”

(Click to Frankensize)

“I did it totally on my own. I’ve just been obsessed with Frankenstein since I was a kid, and watching the old Universal movies on TV. I just devoured anything about Frankenstein ever since. The illustrations were completely my idea. I just wanted to illustrate the book."

It took between six and seven years to do all of the illustrations because I would do a paying job which would catch me up for a couple of weeks I could then take off to do another Frankenstein illustration. Anytime I had a free moment and things weren’t so dire that I had to work for money, I would work on Frankenstein. So, I had no publishers, no editors and finished all of the illustrated before I presented them to a publisher.”

(Click to Frankensize)

And it was good.

“Absolutely a labor of love. It’s the best work I ever did. If I’m not remembered for anything else, I would like it to be that. I just like to think that long, long, long after I’m dead and buried, those illustrations will continue and will be out there. Hopefully, drawing people into this book.”

As of this year, Wrightson returned to Frankenstein’s Monster , collaborating with comics writer Steve Niles for IDW Publishing’s

FRANKENSTEIN ALIVE! ALIVE!

FIVE FRANKENSTEIN FUN FACTS:

Bernie Wrightson changed his name to “Berni” in his professional work to distinguish himself from an Olympic diver with the same name. He later changed it back.
With writer Marv Wolfman, Bernie co-created Destiny in WEIRD MYSTERY TALES #1, a character which would later be used in Neil Gaiman’s THE SANDMAN series.
Wrightson had been asked to handle the art for DC’s revival of THE SHADOW, he had to opt out when he realized he could not produce the necessary pages on time.
Stephen King’s book, CYCLE OF THE WEREWOLF, came about because Bernie Wrightson had planned a calendar around the idea of a werewolf story. King was contacted about writing the story blurbs for each month, but the project quickly grew into a book.
Along with Jim Starlin, Bernie recieved the Bob Clampett Humanitarian Award in 1986 for their work on HEROES FOR HOPE a one-shot comic they came up with to raise money for famine relief in Africa.